Hailed by the Ottawa Citizen as a singer possessing “…an instrument of rare beauty, majestic and commanding from the bottom of his range to the top…”, bass-baritone Stephen Hegedus is frequently heard with leading orchestras and opera companies in Canada and abroad.

His operatic roles include Figaro and the Count (Le nozze di Figaro), Publio (La Clemenza di Tito), Leporello (Don Giovanni), Colline (La Bohème), Guglielmo (Così fan tutte), Alidoro (La Cenerentola), Albert (Werther), Nick Shadow (The Rake’s Progress), Collatinus (The Rape of Lucretia), Talbot (Maria Stuarda), Sarastro (Die Zauberflöte), Masetto (Don Giovanni) and Angelotti (Tosca). He has been engaged by the Teatro Municipal de Santiago, Canadian Opera Company, Vancouver Opera, L’Opéra de Montréal, Opera Atelier, Pacific Opera Victoria, Manitoba Opera, Edmonton Opera, Opera Lafayette, Opera Columbus, Opera Hamilton, and Against the Grain Theatre.

A prize winner at the Lyndon Woodside Oratorio Solo Competition, hosted by the Oratorio Society of New York, Mr. Hegedus’ extensive concert experience includes appearances with the Vancouver and Seattle Symphonies (Mozart’s Requiem) , Winnipeg Symphony (Haydn’s Creation), the Grant Park Festival (Dvorak’s The Spectre’s Bride, Brahms’ Requiem), l’Orchestre symphonique de Montréal (Bernstein’s A Quiet Place), the Florida Orchestra (Beethoven’s Symphony No. 9), the Aldeburgh Festival (Bach’s B-minor Mass) and the l’Orchestre symphonique de Québec (Bach’s Magnificat).

Stephen has performed Handel’s Messiah with the National Arts Centre Orchestra, Toronto Symphony Orchestra, l’Orchestre symphonique de Montréal, Seattle Symphony, Houston Symphony, Minnesota Orchestra, San Antonio Symphony, Edmonton Symphony, the Vancouver Chamber Choir, Naples Philharmonic and Victoria Symphony.

Stephen recently appeared with the National Arts Centre Orchestra in Handel’s Messiah under the direction of Trevor Pinnock; with Les Violons du Roy in an all Bach program; and with the Calgary Philharmonic Orchestra in Mozart’s Coronation Mass. Upcoming engagements include performances at the Toronto Bach Festival and with the Regina Symphony Orchestra in Bach’s St. John Passion. In spring 2026, he will return to Opéra de Montréal to sing the role of Zuniga in Bizet’s Carmen.

A finalist at Placido Domingo’s Operalia, Stephen made his Carnegie Hall debut singing Bach’s Mass in B-minor with the Oratorio Society of New York and later returned for Handel’s Messiah as well as with Les Violons du Roy.